Famous Music Festivals Woodstock, Part 2 of 2 Bethel, New York 1969


Media Coverage
Very few reporters from outside the immediate area were on the scene. During the first few days of the festival, national media coverage emphasized the problems. Front-page headlines in the Daily News read "Traffic Uptight at Hippiefest" and "Hippies Mired in a Sea of Mud". The New York Times ran an editorial titled "Nightmare in the Catskills", which read in part, "The dreams of marijuana and rock music that drew 300,000 fans and hippies to the Catskills had little more sanity than the impulses that drive the lemmings to march to their deaths in the sea. They ended in a nightmare of mud and stagnation ... What kind of culture is it that can produce so colossal a mess?" Coverage became more positive by the end of the festival, in part because the parents of concertgoers called the media and told them, based on their children's phone calls, that their reporting was misleading.

The New York Times covered the prelude to the festival and the move from Wallkill to Bethel. Barnard Collier, who reported from the event for The New York Times, asserts that he was pressured by on-duty editors at the paper to write a misleadingly negative article about the event. According to Collier, this led to acrimonious discussions and his threat to refuse to write the article until the paper's executive editor, James Reston, agreed to let him write the article as he saw fit. The eventual article dealt with issues of traffic jams and minor lawbreaking, but went on to emphasize cooperation, generosity, and the good nature of the festival goers. When the festival was over, Collier wrote another article about the exodus of fans from the festival site and the lack of violence at the event. The chief medical officer for the event and several local residents were quoted as praising the festival goers.
Middletown, New York's Times Herald-Record, the only local daily newspaper, editorialized against the law that banned the festival from Wallkill. During the festival a rare Saturday edition was published. The paper had the only phone line running out of the site, and it used a motorcyclist to get stories and pictures from the impassable crowd to the newspaper's office 35 miles (56 km) away in Middletown.
aftermath.
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In the years immediately following the festival, Woodstock co-producers John Roberts and Joel Rosenman, along with Robert Pilpel, wrote Making Woodstock, a book about the goings-on behind the scenes during the production of the Woodstock Festival.
Max Yasgur refused to rent out his farm for a 1970 revival of the festival, saying, "As far as I know, I'm going back to running a dairy farm." Yasgur died in 1973.
Bethel voters did not re-elect Supervisor Amatucci in an election held in November 1969 because of his role in bringing the festival to the town, and the upset attributed to some residents. Although accounts vary, the loss was only by a very small margin of between six and fifty votes. New York State and the Town of Bethel also passed mass gathering laws designed to prevent any more festivals from occurring.


In 1984, at the original festival site, land owners Louis Nicky and June Gelish put up a monument marker with plaques called "Peace and Music" by a local sculptor from nearby Bloomingburg, Wayne C. Saward.
Attempts were made to prevent people from visiting the site. Its owners spread chicken manure, and during one anniversary, tractors and state police cars formed roadblocks. Twenty thousand people gathered at the site in 1989 during an impromptu 20th anniversary celebration. In 1997 a community group put up a welcoming sign for visitors. Unlike Bethel, the town of Woodstock made several efforts to capitalize on its connection. Bethel's stance eventually changed and the town began to embrace the festival. Efforts were undertaken to forge a link between Bethel and Woodstock.
Approximately 80 lawsuits were filed against Woodstock Ventures, primarily by farmers in the area. The movie financed settlements and paid off the $1.4 million of debt (equivalent to $9.8 million today) Roberts and Rosenman had incurred from the festival





Legacy
Woodstock site today
In 1984, a plaque was placed at the original site commemorating the festival. The field and the stage area remain preserved in their rural setting and the fields of the Yasgur farm are still visited by people of all generations.
In 1996, the site of the concert and 1,400 acres (2.2 sq mi; 5.7 km2) surrounding was purchased by cable television pioneer Alan Gerry for the purpose of creating the Bethel Woods Center for the Arts. The Center opened on July 1, 2006, with a performance by the New York Philharmonic. On August 13, 2006, Crosby, Stills, Nash & Young performed before 16,000 fans at the new Center—37 years after their historic performance at Woodstock.
The Museum at Bethel Woods opened on June 2, 2008. The Museum contains film and interactive displays, text panels, and artifacts that explore the unique experience of the Woodstock festival, its significance as the culminating event of a decade of radical cultural transformation, and the legacy of the Sixties and Woodstock today.
Richie Havens' ashes were scattered across the site on August 18, 2013.
In late 2016 New York's State Historic Preservation Office applied to the National Park Service to have 600 acres (0.94 sq mi; 2.4 km2) including the site of the festival and adjacent areas used for campgrounds, all of which still appear mostly as they did in 1969 as they were not redeveloped when Bethel Woods was built, listed on the National Register of Historic Places.

Woodstock 40th anniversary
There was worldwide media interest in the 40th anniversary of Woodstock in 2009. A number of activities to commemorate the festival took place around the world. On August 15, at the Bethel Woods Center for the Arts overlooking the original site, the largest assembly of Woodstock performing alumni since the original 1969 festival performed in an eight-hour concert in front of a sold-out crowd. Hosted by Country Joe McDonald, the concert featured Big Brother and the Holding Company performing Janis Joplin's hits (she actually appeared with the Kozmic Blues Band at Woodstock, although that band did feature former Big Brother guitarist Sam Andrew), Canned Heat, Ten Years After, Jefferson Starship, Mountain, and the headliners, The Levon Helm Band. At Woodstock, Levon Helm played drums and was one of the lead vocalists with The Band. Paul Kantner was the only member of the 1969 Jefferson Airplane lineup to appear with Jefferson Starship. Tom Constanten, who played keyboard with the Grateful Dead at Woodstock, joined Jefferson Starship on stage for several numbers. Jocko Marcellino from Sha Na Na also appeared, backed up by Canned Heat. Richie Havens, who opened the Woodstock festival in 1969, appeared at a separate event the previous night. Crosby, Stills & Nash and Arlo Guthrie also marked the anniversary with live performances at Bethel earlier in August 2009.
Another event occurred in Hawkhurst, Kent (UK), at a Summer of Love party, with acts including two of the participants at the original Woodstock, Barry Melton of Country Joe and the Fish and Robin Williamson of The Incredible String Band, plus Santana and Grateful Dead cover bands. On August 14 and 15, 2009, a 40th anniversary tribute concert was held in Woodstock, Illinois, and was the only festival to receive the official blessing of the "Father of Woodstock", Artie Kornfeld. Kornfeld later made an appearance in Woodstock with the event's promoters.
Also in 2009, Michael Lang and Holly George-Warren published The Road to Woodstock, which describes Lang's involvement in the creation of the Woodstock Music & Arts Festival, and includes personal stories and quotes from central figures involved in the event.

Woodstock 50th anniversary
In May 2014, Michael Lang, one of the producers and organizers of the original Woodstock event, revealed plans for a possible 50th anniversary concert in 2019 and that he was exploring various locations. Reports in late 2018 confirmed the plans for a concurrent 50th Anniversary event on the original site to be operated by the Bethel Woods Centre for the Arts. The scheduled date for the "Bethel Woods Music and Culture Festival: Celebrating the golden anniversary at the historic site of the 1969 Woodstock festival" was August 16–18, 2019. Partners in the event are Live Nation and INVNT. Bethel Woods described the festival as a "pan-generational music, culture and community event" (including some live performances and talks by) "leading futurists and retro-tech experts".
Michael Lang told a reporter that he also had "definite plans" for a 50th anniversary concert that would "hopefully encourage people to get involved with our lives on the planet" with a goal of re-capturing the "history and essence of what Woodstock was".
On January 9, 2019, Lang announced that the official Woodstock 50th anniversary festival would take place on August 16–18, 2019, in Watkins Glen, NY.
On March 19, 2019, the proposed line-up for Woodstock 50 was announced. This included some artists who performed at the original Woodstock festival in 1969: John Fogerty (from Creedence Clearwater Revival), Carlos Santana (as Santana), David Crosby (from Crosby, Stills & Nash), Melanie, John Sebastian, Country Joe McDonald, three Grateful Dead members (as Dead & Company), Canned Heat, and Hot Tuna (containing members of Jefferson Airplane). The event was to take place at Watkins Glen International, the race track in Watkins Glen, New York, the site in 1973 for the Summer Jam at Watkins Glen which drew an estimated 600,000 people.
On April 29, 2019, it was announced that Woodstock 50 had been cancelled by investors (Dentsu Aegis Network), who had lost faith in its preparations. The producers "vehemently" denied any cancellation, with Michael Lang telling The New York Times that investors have no such prerogative. After a lawsuit with original financiers, the Woodstock 50 team then announced that it had received help from Oppenheimer & Co. for financing so that the three-day event can continue to take place in August despite the original financiers pulling out.
On July 31, 2019, NPR reported that the concert had finally been cancelled.

Local economic impact
Woodstock still acts as an economic engine for the local economy. A Bethel Woods report from 2018 indicates that $560.82 million of spending has been generated in New York. With 2.9 million visitors since 2006 and 214,405 visitors in 2018, an equivalent of 172 full-time jobs exist as a result, which includes direct wages of $5.1 million from Bethel Woods in Sullivan County.

In popular culture
As one of the biggest music festivals of all time and a cultural touchstone for the late 1960s, Woodstock has been referenced in many different ways in popular culture. The phrase "the Woodstock generation" became part of the common lexicon. Tributes and parodies of the festival began almost as soon as the final chords sounded. Cartoonist Charles Schulz named his recurring Peanuts bird character – which began appearing in 1966 but was still unnamed – Woodstock in tribute to the festival. In April 1970, Mad magazine published a poem by Frank Jacobs and illustrated by Sergio AragonĂ©s titled "I Remember, I Remember The Wondrous Woodstock Music Fair" that parodies the traffic jams and the challenges of getting close enough to actually hear the music. Keith Robertson's 1970 children's book Henry Reed's Big Show has the title character attempting to emulate the success of the festival by mounting his own concert at his uncle's farm.
Melanie Safka's 1970 song, "Lay Down (Candles in the Rain)", recalls the experience of both her Woodstock performance and her participation in the 1969 Moratorium to End the War in Vietnam.
Joni Mitchell's 1970 song, "Woodstock", was written while she viewed news coverage of the festival and, lamenting her decision not to perform there, described it instead.
In 1973, the stage show National Lampoon's Lemmings portrayed the "Woodchuck" festival, featuring parodies of many Woodstock performers.
Time magazine named "The Who at Woodstock – 1969" to the magazine's "Top 10 Music-Festival Moments" list on March 18, 2010.
A Walk on the Moon is a 1999 film set partially at the Woodstock festival.
In 2005, Argentine writer Edgar Brau published Woodstock, a long poem commemorating the festival. An English translation of the poem was published in January 2007 by Words Without Borders.
Taking Woodstock is a 2009 film by director Ang Lee that dramatizes how the festival came together.
In 2017, the singer Lana Del Rey released a song, "Coachella – Woodstock in My Mind," in order to show her worries about the tensions between North Korea and the United States while she was at Coachella, expressing nostalgia by using the Woodstock festival as a symbol of peace.
In August 2019, the United States Postal Service released a Forever stamp commemorating Woodstock's 50th anniversary. The stamp was designed by Antonio Alcalá, Art Director of the USPS and was first issued at the Metropolitan Museum of Art in New York City on 8 August 2019. The museum was hosting Play it Loud, an exhibit co-organized with the Rock & Roll Hall of Fame consisting of vintage rock and roll instruments, posters, and costumes. Attending the ceremony were Woodstock producers Michael Lang and Joel Rosenman. The ceremony began with a "stirring" electric guitar performance of The Star Spangled Banner by "Captain" Kirk Douglas of the Roots—"reminiscent" of Jimi Hendrix's performance at original festival.

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